Brian Tolle

Category: VFX

  • Archviz

    —

    by

    Brian Tolle
    in

    Pre-rendered movies and stills for contractors and architects create ultra realistic representations of new construction and renovations – allowing you to experiment with physical spaces before they’re built.

  • LED PIXELS

    —

    by

    Brian Tolle
    in

    Filming costs are proportional to the square footage of pixels. The more LED pixels, the more equipment and staff are needed to run them. A full 360° LED volume with a high pixel density is relatively expensive to rent and run. A single panel of low density pixels used out a window, or for a…

  • SPECIFICITY

    —

    by

    Brian Tolle
    in

    The specificity of an asset is a driving cost factor. The more specific, the higher the cost. Does the asset have to match a physical location or prop, or specific art reference, or can if be assembled from library assets?

  • VFX Budget

    —

    by

    Brian Tolle
    in

    The distribution of a virtual production budget is different than traditional VFX. Pre-production and filming budgets trend higher, and post-production budgets are lower for VP, but overall costs are similar or less than traditional VFX.

  • ICVFX

    —

    by

    Brian Tolle
    in

    LED panels and tracked cameras are the basis of In-Camera-VFX. Immerse the cast into the world of a film and create seamless composites that are impossible to replicate on a traditional chroma stage.

  • Real Time Compositing

    —

    by

    Brian Tolle
    in

    Revolutionize your chroma workflow with Real Time Compositing on set. Preview final composites while you film. Check framing, eye-lines, and set extensions – and give context to how the elements fit into the final frame.

  • Real time Environments

    —

    by

    Brian Tolle
    in

    Virtual Environments are built for real-time filmmaking. Blueprints and web interfaces allow the crew to adjust environment settings with the same responsiveness as other departments – with controls that fit your production including OSC & DMX.

  • Filmography

    —

    by

    Brian Tolle
    in

    Matchmove, Animation Matching, and Layout work. YEAR FILM TASKS COMAPANY 2017 Asura Matchmove Artist Tippett, Berkeley Downsized Matchmove Artist Whiskytree, San Rafael Bolden! Matchmove Artist Whiskytree, San Rafael 2016 Rogue One Matchmove Artist Whiskytree, San Rafael Dawn (TV Pilot) Layout Artist Tippett, Berkeley League of Gods Layout Artist Tippett, Berkeley 2015 Gods of Egypt Layout…